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The Pietro Bazzanti and Son Art Gallery (Italian: Galleria d'Arte Pietro Bazzanti e Figlio) is a historic art gallery located in Florence, Italy.Renowned for its craftsmanship of marble, bronze, alabaster, and stone sculptures and mosaics, the gallery specialises in reproductions of Classical, Neo-classical and Renaissance art, while also producing original works by contemporary artists. [1]
Venus and Cupid by Antonio Frilli. Marble, late 19th century. In 1883, Frilli established his first and exclusive Atelier in via dei Fossi, Florence, where he worked with a few assistants on medium-size refined painted alabasters and big white Carrara marble statues for private villas and monumental cemeteries.
Calcite alabaster: The tomb of Tutankhamun (d. 1323 BC) contained a practical objet d’art, a cosmetics jar made of Egyptian alabaster, which features a lid surmounted by a lioness (goddess Bast). Alabaster is a mineral and a soft rock used for carvings and as a source of plaster powder.
A European court on Thursday upheld Italy’s right to seize a prized Greek statue from the J. Paul Getty Museum in California, ruling that Italy was right to try to reclaim an important part of ...
Sculpted of alabaster, the statue of the Virgin and Child stands in the niche of the Chapel of Our Lady of Pew. The statue was enthroned in the Pew Chapel on 10 May 1971. [2] The original statue here had disappeared centuries ago. The design of the 20th-century piece was inspired by the 15th-century English alabaster Madonna at Westminster ...
[3] [4] There, in 1879 he established a workshop and began to specialize in statues and busts of alabaster, marble, and onyx, although he also worked in bronze. He is considered one of the most important representatives of Italian salon sculpture. His works combine the forms of neoclassicism and Art Nouveau. [3]
The Chapel of the Blessed Sacrament, the second on the left, contains works attributed to Carlo Maderno: a tabernacle in polychrome marble and gilt bronze and the alabaster statues. At the first altarpiece on the right depicts Martyrdom of St Lucy by Giovanni Lanfranco .
Alabaster became popular from the early 14th century, and by 1500 in England was the most popular the core material. Bronze remained in use, however due to its intrinsic value such tombs were often dismaltled and the material sold on; today only English examples survive. [22]
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