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Verbal irony is "a statement in which the meaning that a speaker employs is sharply different from the meaning that is ostensibly expressed". [1] Moreover, it is produced intentionally by the speaker, rather than being a literary construct, for instance, or the result of forces outside of their control. [ 19 ]
The modern term irony is derived from the eirōn of the classical Greek theatre. Irony entails opposition (not mere difference) between the actual meaning and the apparent meaning of something. Irony entails opposition (not mere difference) between the actual meaning and the apparent meaning of something.
Understatement – a form of irony, sometimes in the form of litotes, in which something is represented as less than it really is, with the intent of drawing attention to and emphasizing the opposite meaning. Universal audience – an audience consisting of all humankind. Utterance – statement that could contain meaning about one's own person.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Poetic justice, also called poetic irony, is a literary device with which ultimately virtue is rewarded and misdeeds are punished. In modern literature, [ 1 ] it is often accompanied by an ironic twist of fate related to the character's own action, hence the name "poetic irony".
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. [1]
On the Concept of Irony with Continual Reference to Socrates (Danish: Om Begrebet Ironi med stadigt Hensyn til Socrates) is Søren Kierkegaard's 1841 master's thesis under Frederik Christian Sibbern . [1] This thesis is the culmination of three years of extensive study on Socrates, as seen from the view point of Xenophon, Aristophanes, and Plato.
Irony, contrarily, does not include derision, unless it is sarcastic irony. The problems with these definitions and the reason why this dissertation does not thoroughly investigate the distinction between irony and sarcasm involves the ideas that: (1) people can pretend to be insulted when they are not or pretend not to be insulted when they ...