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Handmade Berber carpet from Morocco A woman weaving a carpet using a handloom in 1961 in al-Qayrawan. Modern industrialized Berber carpets are distinguished by a loop pile construction type that gives a similar appearance to the distinct knot of traditionally woven Berber carpets. The modern carpets usually contain small flecks of dark colour ...
In 1882, Robinson published a book on eastern carpets, [144] where he deployed the analytical terms that were emerging in decorative arts scholarship for the elements of carpet design, recognising medallions, floral tracery, cloud bands or the “so-called cloud pattern”, and scrollwork on the outer border.
The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic art and architecture.
The carpets often depict the scenes of falconry or images of a ferocious lion. Well known are also Tabriz carpet-pictures with images of fragments of palaces and mosques, scenes of battles. Often, in creation of this or that ornamental pattern carpet weavers were inspired by the hand-painted covers of ancient books.
To create a sharp pattern, weavers usually end each pattern element at a particular thread, winding the coloured weft threads back around the same warps, leaving a narrow gap or slit. These are prized by collectors for the crispness of their decoration. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. [2]
The Berber carpets of North Africa have a distinct design tradition. Apart from the products of city workshops, in touch with trading networks that might carry the carpets to markets far away, there was also a large and widespread village and nomadic industry producing work that stayed closer to traditional local designs.
Many of these Berber carpets are woven by the Beni Ourain peoples from the Rif Mountains near Taza. Colours vary from neutral shades to popping hues, with designs ranging from ordered geometric shapes to a more free-form, expressive pattern. Part of the appeal to the modernists was the primitivism in the carpets.
The Heris Carpet is the only carpet in the world where stories of the Old times are woven. [2] Heriz rug weavers often make them in geometric, bold patterns with a large medallion dominating the field. Such designs are traditional and often woven from memory.
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