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Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [1]
'David James' was a pseudonym, his real name being Joseph Donahue, the fourth child of a London porter and a probably Irish mother. [2] He was born in Ireland in 1853 and moved to Dalston, Cumbria in his twenties, when he changed his name to David James.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
Peter Matthews (born October, 1978) is an English artist who has developed a practice of creating drawings while immersed in the ocean and paintings created over days or weeks of being in solitude along the Pacific and Atlantic coasts. He works with art materials hiked into the landscape, strapped about his person, hidden in caches along the ...
The print depicts three boats moving through a storm-tossed sea, with a large, cresting wave forming a spiral in the centre over the boats and Mount Fuji visible in the background. The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji , in which the use of Prussian blue revolutionized Japanese prints.
The sea and ships have been depicted in art ranging from simple drawings on the walls of huts in Lamu to seascapes by Joseph Turner and Dutch Golden Age painting. The Japanese artist Katsushika Hokusai created colour prints of the moods of the sea, including The Great Wave off Kanagawa.
A seascape photograph at Clifton Beach, South Arm, Tasmania, Australia. In the UK a seascape is defined in planning and land use contexts as a combination of adjacent land, coastline and sea within an area, defined by a mix of land-sea inter-visibility and coastal landscape character assessment, with major headlands forming division points between one seascape area and the next.
The painting shows the beach at Scheveningen, on the North Sea coast a few miles from The Hague, on a stormy day on 21 or 22 August 1882. The painting was made quickly, en plein air , on an easel at the beach, with the wind whipping up sand and nearly blowing Van Gogh off his feet.
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