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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
The light is generally cool, hard, and non-diffuse; "soft, atmospheric, painterly light is not luminist light". Brushstrokes are concealed to minimize recognition that the painting is an artefact. Luminist paintings tend not to be large to suggest a sense of timeless intimacy. The picture surface or plane is emphasized, recalling primitivism ...
Leonardo is identified as one of the greatest painters in the history of Western art and is often credited as the founder of the High Renaissance. [3] Despite having many lost works and fewer than 25 attributed major works – including numerous unfinished works – he created some of the most influential paintings in the Western canon. [3]
Monet made light the central focus of his paintings. To capture its variations, he would sometimes complete a painting in one sitting, often without preparation. [93] He wished to demonstrate how light altered colour and perception of reality. [24] His interest in light and reflection began in the late 1860s and lasted throughout his career. [21]
A Box at the Theater (At the Concert), 1880, Clark Art Institute, Williamstown Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841.His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects.
Basket of Fruit, c. 1595–1596, oil on canvas, Pinacoteca Ambrosiana, Milan. Caravaggio (Michelangelo Merisi or Amerighi) was born in Milan, where his father, Fermo (Fermo Merixio), was a household administrator and architect-decorator to the marquess of Caravaggio, a town 35 km (22 mi) to the east of Milan and south of Bergamo. [7]
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
Artists followed new discoveries in perception with great interest. [28] Chevreul was perhaps the most important influence on artists at the time; his great contribution was producing a colour wheel of primary and intermediary hues. Chevreul was a French chemist who restored tapestries.