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Encarnación López Júlvez, better known by her stage name, La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945), was a Spanish-Argentine flamenco dancer, choreographer and singer. La Argentinita was considered one of the highest expressions of this art form during her time.
a measure or bar; flamencos use the word to mean both (a) the name of the type of twelve-count and (b) the rhythmic skill of a performer contratiempo cross-rhythms; including syncopation and rubato copla verse of cante flamenco, as against the cuple of a (non-flamenco) canto coraje a way of performing that shows impetuosity or daring (lit ...
Its rhythm corresponds to the Spanish bolero. [ 2 ] Some authors consider that the bandolá is the common trunk of the cantes de Málaga, and that from it derive the rondeñas , [ 3 ] the jabegote, the jabera and the malagueña itself, as well as the fandangos abandolaos and cantes personales, such as those of Juan Breva, [ 4 ] and the ...
Download as PDF; Printable version; In other projects Appearance. move to sidebar hide. Help. Pages in category "Spanish flamenco dancers" The following 44 pages are ...
Cantes de ida y vuelta (Spanish pronunciation: [ˈkantes ðe ˈiðaj ˈβwelta]) is a Spanish expression literally meaning roundtrip songs.It refers to a group of flamenco musical forms or palos with diverse musical features, which "travelled back" from Latin America (mainly Cuba) as styles that, having originated in the interplay between musical traditions of peninsular Spain and those of ...
One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when ...
Download as PDF; Printable version; ... Spanish flamenco dancers (45 P) Pages in category "Flamenco dancers"
In the 1970s and 80s, salsa, blues, rumba and other influences were added to flamenco, along with music from India. Ketama's 1988 debut, Ketama, was especially influential. At the beginning of the 1990s, the Madrid label Nuevos Medios became closely associated with the new flamenco fusion music, which came to be called nuevo flamenco.