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The fragments of these large funerary vases show mainly processions of chariots or warriors or of the funerary scenes: πρόθεσις (prothesis; exposure and lamentation of dead) or ἐκφορά (ekphora; transport of the coffin to the cemetery). The bodies are represented in a geometrical way except for the calves, which are rather ...
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
The characters are noble and beautiful, but absorbed without affection for the object at which they direct their gaze (presumably a piece of jewelry). However, Buitron-Oliver [ 7 ] notes that the highly idealized figures on the Parthenon frieze gave way to more realistic drapery around 400 BCE, as seen in the Hegeso relief.
An exception to this is a grave in the military cemetery in Jerusalem, where there is a kever achim (Hebrew: "grave of brothers") where two soldiers were killed together in a tank and are buried in one grave. As the bodies were so fused together with the metal of the tank that they could not be separately identified, they were buried in one ...
The VA only permits graphics on government-furnished headstones or markers that are approved emblems of belief, the Civil War Union Shield (including those who served in the U.S. military through the Spanish–American War), the Civil War Confederate Southern Cross of Honor, and the Medal of Honor insignia.
The Dipylon Master was an ancient Greek vase painter who was active from around 760–750 BC. He worked in Athens, where he and his workshop produced large funerary vessels for those interred in the Dipylon Gate cemetery, whence his name comes. His work belongs to the very late stage of the Geometric Style.
It was found in the second grave of the Mycenaean cemetery at Prosymna, near Argos. [ 1 ] It is a three-handled amphora , which belongs to the category of the so-called Palace amphorae, which arrived in the Greek mainland in the Late Helladic II and was heavily influenced by Minoan palace amphorae. [ 2 ]
The burial vault was largely unknown until the 1880s when the L.G. Haase Manufacturing Co., which owned a cemetery in Illinois, conceived the burial vault as a means of adding a product line to their funerary sales. [2] As late as 1915, only 5 to 10 percent of funerals in the United States used a burial vault or liner. [5]
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