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The concept of personae in music was introduced by Edward T. Cone in his The Composer's Voice (1974), which dealt with the relation between the lyrical self of a song's lyrics and its composer. [17] Performance studies scholar Philip Auslander includes further contextual frames, in which musical persona is the primary product of musical ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Personent hodie in the 1582 edition of Piae Cantiones, image combined from two pages of the source text. "Personent hodie" is a Christmas carol originally published in the 1582 Finnish song book Piae Cantiones, a volume of 74 Medieval songs with Latin texts collected by Jacobus Finno (Jaakko Suomalainen), a Swedish Lutheran cleric, and published by T.P. Rutha. [1]
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Dramatis personae (Latin: 'persons of the drama') are the main characters in a dramatic work written in a list. [not verified in body] Such lists are commonly employed in various forms of theatre, and also on screen. [not verified in body] Typically, off-stage characters are not considered part of the dramatis personae.
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Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it.
In classical music, arioso (; also aria parlante [1] [ˈaːrja parˈlante]) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody.