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Their second single "When I Woke Up This Morning" became an East Coast Doo-wop hit in 1957 and was released “Really Love Her So” on the B-side and sold over 75,000 copies. They would be invited back for a second performance at the Apollo, this time performing alongside Fats Domino and Little Richard. They continued to perform on the East ...
"Early in the Mornin'" or "'Early in the Morning" is a song that was recorded by Louis Jordan and His Tympany Five in 1947. It is an early example of a blues which incorporates Afro-Cuban rhythms and percussive instruments. [1] "Early in the Mornin'" became a hit, reaching number three in Billboard magazine's race records chart. [2]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.
"Hurt" is a 1954 song by Jimmie Crane and Al Jacobs. "Hurt" was originally performed by Roy Hamilton, whose version peaked at number eight on the R&B Best Seller chart and spent a total of seven weeks on the chart. [1] A version by Ricky Denell also received considerable radio airplay in 1954 on pop radio stations.
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Like a Version is a long-running weekly segment on Australian youth radio station Triple J. It involves musicians playing two songs live in the Triple J studio, one of their own songs and then a cover version. The series was created by presenter Mel Bampton in 2004 as part of the Mel in the Morning program. [1]
I Got a Lot of Hurtin' Done Today / I've Got My Baby on My Mind is the twenty-fourth solo studio album by American country singer Connie Smith. It was released in January 1975 and contained 11 tracks. It was also considered to be one of her "most commercially-successful" discs of the decade, according to biographer Barry Mazor.