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A night latch (or night-latch or nightlatch) is a lock that is fitted on the surface of a door; it is operated from the exterior side of the door by a key and from the interior (i.e. "secure") side of the door by a knob. [1] [2] [3]
The character, Mattie Silver, from Ethan Frome (1911), has few life skills but can recite "Curfew shall not ring to-night." [10] Three silent films were made based on the poem. For two of the films, the title was modified to Curfew Shall Not Ring Tonight. No sound version has been made, but later 20th century films referred to this poem.
Henry Beekman Livingston Jr. (October 13, 1748 – February 29, 1828) was an American poet, and has been proposed as being the uncredited author of the 1823 poem A Visit from St. Nicholas, more popularly known (after its first line) as The Night Before Christmas.
Of bird, of flower, or shape, which it doth latch: Of his quick object hath the mind no part, Nor his own vision holds what it doth catch; For if it see the rud’st or gentlest sight, The most sweet favour or deformed’st creature, The mountain or the sea, the day or night, The crow or dove, it shapes them to your feature:
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
'Twas the Night Before Christmas (A Visit) Full Poem 'Twas the night before Christmas, when all through the house not a creature was stirring, not even a mouse. ... Answer: Washington Irving.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
All poetry was originally oral, it was sung or chanted; poetic form as we know it is an abstraction therefrom when writing replaced memory as a way of preserving poetic utterances, but the ghost of oral poetry never vanishes. [28] Poems may be read silently to oneself, or may be read aloud solo or to other people.