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Percussion instruments play a very important role in Middle Eastern music. The complex rhythms of this music are often played on many simple percussion instruments.The riq الرق (a type of tambourine) and finger cymbals add a higher rhythmic line to rhythm laid down with sticks, clappers, and other drums.
The mijwiz (Arabic: مجوز , DIN: miǧwiz) is a traditional Middle East musical instrument popular in Palestine, Egypt, Syria, Lebanon and Jordan. [1] [2] Its name in Arabic means "dual," because of its consisting of two, short, bamboo pipes with reed tips put together, making the mijwiz a double-pipe, single-reed woodwind instrument.
Drawing of Qanun player in 1859, Jerusalem Traditional flute player from Iraqi folk troupe Mizwad, a type of bagpipes played mostly in Tunisia and Libya Mizmar ini Display the Riqq is one of the instruments used only in the Egyptian and Arabic music, and in most of its varieties Sagat in Khan El-Khalili, Cairo
The Eastern and North-African goblet drums are played under the arm or resting on the player's leg, with a much lighter touch and quite different strokes (sometimes including rolls or quick rhythms articulated with the fingertips) to hand drums such as the djembe, found in West Africa. There are two main types of goblet drums.
The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
The naqareh, naqqāra, nagara or nagada is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety. The term naqqāra ( نقاره ), also نقارات naqqarat , naqqarah , naqqåre , nakkare , nagora comes from the Arabic verb naqr- that means "to strike, beat".
The instruments are hand made in the family's workshop in Istanbul, by three members of the Cümbüş family, Naci Abidin Cümbüş and his two sons Fethi and Alizeynel. They still make approximately 3000 cümbüşes a year (as of 2002). They also manufacture about 5000 darbukas per year (middle-eastern drums), and sell guitars as well. They ...
The instruments were "transmitted" from the Muslim world to the Malay world at an undermined time. Links to the Middle East begin as early as the 5th-6th centuries C.E., with trading networks and occupation in the 15th century. Experts have tentatively given dates for the instruments' arrival between the 9th and 15th centuries C.E.