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The Guide is a 1958 novel written in English by the Indian author R. K. Narayan. Like most of his works, the events of this novel take place in Malgudi, a fictional town in South India. The novel describes the transformation of the protagonist, Raju, from a tour guide to a spiritual guide and then one of the greatest holy men of India.
The English Teacher is a 1945 novel written by R. K. Narayan.It is a part of a series of novels and collections of short stories set in "Malgudi". The English Teacher was preceded by Swami and Friends (1935), The Bachelor of Arts (1937) and Malgudi Days, (1943) and followed by Mr. Sampath – The Printer of Malgudi.
My Dateless Diary is a collection of autobiographical essays by R. K. Narayan published in 1960. [1] The book was the output of a daily journal that he maintained during his visit to the United States on a Rockefeller Fellowship in 1956. [2] While on this visit, Narayan also completed The Guide, the writing of which is covered in this book. [3]
A Writer's Nightmare is a collection of essays by R. K. Narayan published in 1988 by Penguin Books. [1] The essays included in the book are about topics as diverse as the caste system, love, Nobel Prize winners and monkeys; the book provides readers a unique view of Indian life. [2]
Based on R. K. Narayan's 1958 novel The Guide, the film narrates the story of Raju (Anand), a freelance tour guide and Rosie (Rehman), the repressed wife of a wealthy archaeologist. [3] A 120-minute U.S. version titled The Guide was written by Pearl S. Buck and directed and produced by Tad Danielewski.
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The stories range from the humorous to the serious and all are filled with Narayan's acute observations of human nature. The concluding story, Under the Banyan Tree , is about a village story-teller who concludes his career by taking a vow of silence for the rest of his life, realizing that a story-teller must have the sense to know when to ...
Reluctant Guru is a book by R. K. Narayan published in 1974 by Orient Paperbacks. [1] The book consists entirely of discursive essays, some of which were his weekly contributions to The Hindu. [2]