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The technique is often executed using the guitar's volume knob. Beginning with the knob turned down to zero, it is increased when a note is played. The effect can also be performed by using a volume pedal. It is sometimes called "violining", because the sound is similar to a bowed violin. [1]
The "stop" part comes from the fact that the string ends are held in place or they "stop" inside the bar. The bar is mounted on top of the guitar body usually by means of sturdy threaded metal studs screwed into threaded sleeves embedded into the body of the guitar. The studs and stopbar are located behind the separate bridge piece.
The top panel was labeled with Pro Co Sound "The RAT" and the three control knobs as Distortion, Tone and Volume. Between 1979 and 1980 there were several cosmetic changes to the pedal as Pro Co worked to source knobs and print the labels on the pedal, but the circuit remained largely unchanged. In 1981 the Rat saw its first circuit change.
These controls are generally either draw knobs (or stop knobs), which engage the stops when pulled out from the console; stop tablets (or tilting tablets) which are hinged at their far end; or rocker-tablets, which rock up and down on a central axle. Different combinations of stops change the timbre of the instrument considerably.
A vibrato system on a guitar is a mechanical device used to temporarily change the pitch of the strings. It adds vibrato to the sound by changing the tension of the strings, typically at the bridge or tailpiece of an electric guitar using a controlling lever, which is alternately referred to as a whammy bar, vibrato bar, or tremolo arm. [1]
An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. With the introduction of the Big Muff, the Axis was discontinued and the Foxey Lady pedal became a rebranded Big Muff.
When pedal parts are performed, a 16′ stop is usually paired with an 8′ one to provide more definition. For pedal parts that need accentuation, such as the Cantus Firmus melody in a 17th-century organ piece, many organs have a nasal-sounding reed stop in the pedal division, or a 4′ Principal designated on the stop knob as "Choralbass".
One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
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