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The psalm has been variously dated to either the 8th century BC, the time of the prophets Hosea and Micah, or to a time after the Babylonian captivity.The latter date is supported by the reference to "gathering" in verse 5, but is problematic because verse 2 describes Zion (another name for Jerusalem) as "the perfection of beauty", even though Jerusalem was destroyed in 587 BC.
The Psalms of Asaph (English: / ˈ eɪ. s æ f / Ay-saf; [1] Hebrew: אָסָף ’Āsāp̄, "Gather" [2]) are the twelve psalms numbered as 50 and 73–83 in the Masoretic Text, and as 49 and 72–82 in the Septuagint. They are located in the Book of Psalms in the Hebrew Bible (which is also called the Old Testament).
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Together with Heman, the grandson of the Israelite prophet Samuel (1 Chronicles 6:24, or 1 Chronicles 6:39 in non-Hebrew translations), he and his male descendants were set aside by King David to worship God in song and music (1 Chronicles 15:16–17). He authored Psalm 50, and Psalms 73 to 83. Asaph, a Levite descendant of Kohath (1 Chronicles ...
Psalm 51, also known as the Miserere ("have mercy") poem, was usually read as a plea by David, asking God for forgiveness for his affair with Bathsheba. The Kentish Psalm begins by recounting that traditional exegetical material, followed by "an expansive paraphrase" of the psalm, and ends with the poet's plea that God "forgive the poet and ...
The Miserere is one of the most frequently recorded pieces of late Renaissance music.An early and celebrated [7] recording of it is the one from March 1963 by the Choir of King's College, Cambridge, conducted by David Willcocks, which was sung in English, [8] and featured the then-treble Roy Goodman.
Josquin's setting of the Miserere was influential not only as a psalm setting, but as an example of how to approach the text of Infelix ego. Later in the 16th century, composers who specifically set the words of Savonarola, such as Adrian Willaert , Cipriano de Rore , and Nicola Vicentino , all of whom wrote motets on Infelix ego , used Josquin ...
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