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A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. [1] In cruciform ("cross-shaped") churches, in particular within the Romanesque and Gothic Christian church architectural traditions, a transept is an area set crosswise to the nave. Each half of a transept is known as a ...
A new church replacing a ruined church nearby. It has a cruciform plan with a central steeple. [43] II* St Mary: Chute Forest, Wiltshire: 1875 A church in flint with brick dressings and tiled roofs. On the south side is a tower with a tall pyramidal spire.
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
St Clement's Church (Scottish Gaelic: Tùr Chliamhainn, meaning Clement's Tower) is a late fifteenth-century or early sixteenth-century church in Rodel, Harris, Scotland, built for the Chiefs of the MacLeods of Harris. It is dedicated to Pope Clement I. It is sometimes known as Eaglais Roghadail or Rodal Church.
The abbey church is of typical Cistercian architecture, built in the Gothic style – cruciform layout – main nave, transept and two side aisles. The nave and its flanking aisles have a vaulted by rib vault. The nave and its transept a vaulted ceiling more than 22 m (72 ft) high.
Cathedral floor plan (crossing is shaded) A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. [1]In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east.
In Samnanger church for instance, outside corners have been cut to avoid splicing logs, the result is an octagonal floor plan rather than rectangular. [12] The cruciform constructions provided a more rigid structure and larger churches, but view to the pulpit and altar was obstructed by interior corners for seats in the transept.