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The surviving book of Poetics is primarily concerned with drama; the analysis of tragedy constitutes the core of the discussion. [ 4 ] [ 5 ] Although the text is universally acknowledged in the Western critical tradition, "almost every detail about this seminal work has aroused divergent opinions."
A tragic hero (or sometimes tragic heroine if they are female) is the protagonist of a tragedy. In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle based his observations on previous dramas. [1]
Aristotelianism (/ ˌ ær ɪ s t ə ˈ t iː l i ə n ɪ z əm / ARR-i-stə-TEE-lee-ə-niz-əm) is a philosophical tradition inspired by the work of Aristotle, usually characterized by deductive logic and an analytic inductive method in the study of natural philosophy and metaphysics.
Drama, specifically tragedy, is explored in Aristotle's Poetics or 'Unities.' The Poetics explains both a history and a critical framework for the evaluation for tragic drama. [ 5 ] This particular work was influential during the Renaissance and the early modern European periods, however, still has had a strong influence up to the present day ...
Aristotle considers length or time in a distinction between the epic and tragedy: Well then, epic poetry followed in the wake of tragedy up to the point of being a (1) good-sized (2) imitation (3) in verse (4) of people who are to be taken seriously; but in its having its verse unmixed with any other and being narrative in character, there they ...
In chapter 13 of the book, Aristotle states that for tragedy to end in misfortune is "correct," [6] yet in chapter 14 he judges a type of plot in tragedy "best" [7] that does not end in misfortune. [ 8 ] [ 9 ] Since the 16th century, scholars [ 10 ] [ 11 ] in Classics have puzzled over this contradiction or have proposed solutions, of which ...
The Tractatus states that comedy invokes laughter and pleasure, thus purging those emotions , in a manner parallel to the description of tragedy in the Poetics. It proceeds to describe the devices used and manner in which catharsis is brought about.
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, his writings are divisible into two groups: the " exoteric " and the " esoteric ". [ 1 ]