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Selmer Paris sold less-expensive clarinets under the names Barbier, Bundy (Paris) and Raymond until ca. 1935, after which they focused exclusively on professional clarinets. Note: Selmer Paris harmony clarinets (sizes other than B♭ and A soprano clarinet) are mostly called by their model number rather than a name, but there are, for example ...
Buescher with oval logo HR, wooden and metal clarinets in Albert and Boehm systems; Buescher True Tone (possibly Penzel Mueller stencils) Buescher 400 (Selmer era) Buescher Aristocrat B♭ (Introduced in 1963 [3]) Note: The clarinet in the following five pictures may or may not have been made by the Buescher Band Instrument Company.
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G F (on request) E♭ B♭ Fratelli ...
Exclusive mass-production rights were given to the Selmer company, although only 13,000 were made. [citation needed] Selmer first marketed the instrument in 1959: "Over the past 75 years, many new clarinet key Systems have been submitted to Selmer. Yet the Mazzeo system is the first we have ever placed in production.
Conn-Selmer, Inc. is an American manufacturer of musical instruments for concert bands, marching bands and orchestras.It is a wholly owned subsidiary of Steinway Musical Instruments and was formed in 2003 by combining the Steinway properties, The Selmer Company and United Musical Instruments.
It was marketed in 1967 by the Selmer Company, which developed units for flute, saxophone, and clarinet. The system included an integrated pickup microphone and a control box which allowed the player to use effects such as tremolo , basic EQ ("bright" and "dark"), simultaneous sub-octaves and echo in conjunction with a purpose-built amplifier.
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
The Silva-Bet, which debuted in 1925, is generally acknowledged to have been the first successful metal clarinet. [1] [2] Shortly after the appearance of the Silva-Bet, other woodwind makers entered the metal clarinet market, including Selmer Paris in 1927 [3] with their Master Model as well as American companies Buescher with their True Tone model and H. N. White with the Silver King.
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