Search results
Results from the WOW.Com Content Network
If a send mix is configured post-fader, then the level sent to the send mix follows changes to the main channel strip fader. [22] This is useful for reverberation and other signal processor effects. An example of this is when an engineer would like to add some delay to the vocals – the fader can thus be used to adjust the amount of delay ...
A post-fader output is used in order to prevent channels whose faders are at zero gain from "contaminating" the effects-return loop with hiss and hum. Mixing consoles most commonly have a group of aux-send knobs in each channel strip, or, on small mixers, a single aux-send knob per channel, where one knob corresponds to each aux-send on the board.
The auxiliary send routes a split of the incoming signal to an auxiliary bus, which can then be routed to external devices. Auxiliary sends can either be pre-fader or post-fader, in that the level of a pre-fader send is set by the auxiliary send control, whereas post-fade sends depend on the position of the channel fader as well.
Feedback, also called "Howl-Round," occurs when the output of a device is accidentally connected to its input. If the device is amplifying the signal, then the amplified output will be fed back into the input, where it will be amplified again and sent to the output, where it will return to the input, be amplified again, and sent to the output, ad infinitum.
Until the 3.0 revision, very low data rates meant most A/V needed alternative connectors. USB-C can directly transport USB 3.1, DisplayPort, Thunderbolt, HDMI, and MHL protocols, with power, and audio and many other protocols are possible. Thunderbolt is the successor to FireWire, a generic high-speed data link with well-defined audio/video ...
Inserted devices can be connected in series to create a string of inserted devices. For instance, one could connect a gate, a compressor and an equalizer in series through the same channel's insert. Some digital mixers allow multiple internal effects to be inserted virtually, still others allow one or more third-party plugins to be inserted.
In audio engineering, a gain stage is a point during an audio signal flow that the engineer can make adjustments to the level, [1] such as a fader on a mixing console or in a DAW.
Rather than tie up the high-bandwidth USB bus sending data to a slower USB device, the nearest high-bandwidth capable hub receives a SPLIT token followed by one or two USB packets at high-bandwidth, performs the data transfer at full- or low-bandwidth, and provides the response at high-bandwidth when prompted by a second SPLIT token.