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The five-paragraph essay format has been criticized for its rigid structure, which some educators believe stifles creativity and critical thinking. Critics argue that it promotes a formulaic approach to writing, which can limit students' ability to express more complex ideas and develop their unique writing style. [4]
Famous for being famous is a paradoxical term, often used pejoratively, for someone who attains celebrity status for no clearly identifiable reason—as opposed to fame based on achievement, skill, or talent—and appears to generate their own fame, or someone who achieves fame through a family or relationship association with an existing celebrity.
“Doing celebrity is different from being celebrity; it’s a bit like any job that you have to get into the mindset for. It’s about that separation.” It’s about that separation.”
(Examples: Vaccine controversy, Global warming controversy, Chiropractic controversy and criticism, Dental amalgam controversy) Such forking keeps your main article from becoming unbalanced and is an application of the "Undue weight" policy mentioned below. Note that the main article will always remain balanced since it covers all sides of the ...
The lead section should summarise with due weight the life and works of the person. When writing about controversies in the lead section of a biography, relevant material should neither be suppressed nor allowed to overwhelm: always pay scrupulous attention to reliable sources, and make sure the lead correctly reflects the entirety of the article.
Splash News threw back to circa 1990 to see what Shakira looked like as a teenager. Take a look at these never-before-seen-snaps of the beauty long before her life of fame and luxury -- and even ...
Louis Antoine de Saint-Just's line "Nobody can rule guiltlessly" appears before chapter one in Arthur Koestler's 1940 anti-totalitarian novel Darkness at Noon. A Samuel Johnson quotation serves as an epigraph in Hunter S. Thompson's novel Fear and Loathing in Las Vegas: "He who makes a beast of himself gets rid of the pain of being a man."
He used the pseudonym Y.Y (Ys, or wise) in writing for the New Statesman. According to C. H. Rolph's Kingsley (1973), Lynd's weekly essay, which ran from 1913 to 1945, was "irreplaceable". In 1941, editor Kingsley Martin decided to alternate it with pieces by James Bridie on Ireland, but the experiment was not at all a success.
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