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Lip-ribbon microphones use baffles to create an acoustic labyrinth within the body of the microphone. [1] The microphone's bi-directional polar pattern controls interference; sound from the commentator reaches one side of the ribbon more than the other, whereas sounds from other sources contact both sides of the ribbon (at a difference in phase of 180°) and cancel out. [1]
The movement of the membrane varied the capacitance "seen" by the antenna, which in turn modulated the radio waves that struck and were re-transmitted by the Thing. A receiver demodulated the signal so that sound picked up by the microphone could be heard, just as an ordinary radio receiver demodulates radio signals and outputs sound.
Astatic also manufactured bullet style microphones, which are extremely popular among harmonica players. The original Astatic model JT-30 was introduced in late 1939. There were many variations in different colors such as the JT-30-C, W-30, 31, JT-31, JT-40, JT-50, W40, W80 and Model A.
The cardioid family of microphones are commonly used as vocal or speech microphones since they are good at rejecting sounds from other directions. In three dimensions, the cardioid is shaped like an apple centered around the microphone, which is the "stem" of the apple.
Royer Labs is an American microphone company known for its ribbon microphones. David Royer designed his first ribbon microphone in 1997 and started the company that bears his name one year later. The R-121 Ribbon microphone contained two innovations that delivered the performance levels necessary for professional studio use.
James Thurston Nabors (June 12, 1930 – November 30, 2017) was an American actor, singer, and comedian, widely known for his signature character, Gomer Pyle.. Nabors was discovered by Andy Griffith while working at a Santa Monica nightclub, and he later joined The Andy Griffith Show, where he played the good-natured, unsophisticated Gomer Pyle.
A parabolic microphone is a microphone that uses a parabolic reflector to collect and focus sound waves onto a transducer, in much the same way that a parabolic antenna (e.g. satellite dish) does with radio waves. Though they lack high fidelity, parabolic microphones have great sensitivity to sounds coming from one direction, along the axis of ...
Well, we used to have a thing called a Decca Tree which was an arrangement where [at] the front edge of an orchestra about 3.2 metres up in the sky you would have a centre microphone roughly in line with the edge of the orchestra, and then maybe 2.5 feet back and 5 feet apart you would have 2 more forming a triangle, omnidirectional microphones.
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