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"Comme d'habitude" ([kɔm dabityd(ə)], French for "As usual") is a French song about the setting in of routine in a relationship, precipitating a breakup.It was composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut [].
There is a strong oral tradition among children in China, Vietnam and other places in Asia of passing on songs with their own lyrics, sung to the tune of "Frère Jacques". [39] Frère Jacques is the name of a chain of franchised French restaurants in the UK [40] and the name of a French restaurant in the Murray Hill section of New York City. [41]
The song begins, Non, rien de rien / Non, je ne regrette rien ("No, nothing at all / No, I regret nothing"). It goes on to describe how the singer has swept away all of her past and cares nothing for it, ending Car ma vie, car mes joies / Aujourd'hui, ça commence avec toi ("For my life, for my joys / Today, it starts with you").
It became a rare example of a foreign-language song to chart highly in the UK, peaking at number nine on the UK Singles Chart to become the highest-charting French-language song since 1995, when Celine Dion's "Pour que tu m'aimes encore" peaked at number seven.
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The song achieved big success in France and internationally, especially in Japan and Mexico, becoming one of the most recognizable French songs of all time. The first music video was released in 2019, over 46 years after the songs's release. [1] Dalida's release sparked numerous covers in various languages, mostly due to her international career.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.