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The song is arguably the most recorded popular song, and one of the top jazz standards. Billboard magazine conducted a poll of leading disk jockeys in 1955 on the "popular song record of all time"; four different renditions of "Stardust" made it to the list, including Glenn Miller's (1941) at third place and Artie Shaw's (1940) at number one. [176]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The song is arguably the most recorded popular song, and one of the top jazz standards. Billboard magazine conducted a poll of leading disk jockeys in 1955 on the "popular song record of all time"; four different renditions of "Stardust" made it to the list, including Glenn Miller's (1941) at third place and Artie Shaw's (1940) at number one. [127]
For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
Download as PDF; Printable version; In other projects ... List of 1920s jazz standards; A. ... Charleston (1923 song) Cherry (jazz standard) China Boy; Copenhagen ...
A popular jazz standard, the song has been recorded by many artists, including Cab Calloway (1934), Coleman Hawkins (1935) and Eddie Durham (1936). The Benny Goodman Quartet played the song in their famous 1938 Carnegie Hall concert. [2] The tune remains popular in the gypsy jazz repertoire, having been performed by Wawau Adler and others.
(Top) 1 List of 1920s jazz standards. Toggle the table of contents. Wikipedia: Featured list candidates/List of 1920s jazz standards/archive1. Add languages. Add links.
April 21 – Electric re-recording of George Gershwin's "Rhapsody in Blue" by Paul Whiteman's Orchestra directed by Nathaniel Shilkret, with Gershwin at the piano.In 1925, electrical recording vastly improved the quality of recordings, and many important recordings, including Whiteman's 1924 recording of the Rhapsody, were re-recorded electrically.