Search results
Results from the WOW.Com Content Network
Photo: 2.5 mm mono (TS), 3.5 mm mono and stereo (TRS), and 1 ⁄ 4 inch (6.4 mm) stereo (TRS) phone connectors The most common microphone connector in consumer use is the venerable phone connector, in 1 ⁄ 4 inch (6.4 mm), 3.5 mm, and 2.5 mm sizes, and in both mono and stereo configurations.
† Although the mic input is usually mono, the input is still a TRS phone socket. Many mono 'computer' mics are fitted with TRS plugs. The tip is for the MIC and the ring is for power (to power an electret-condenser style MIC). There are exceptions to the above: Hosa cables use grey and orange for left and right analogue channels.
A 3.5 mm phone connector A 3.5 mm 4-conductor TRRS phone connector A 3.5 mm 5-conductor TRRRS phone connector. In the most common arrangement, consistent with the original intention of the design, the male plug is connected to a cable, and the female socket is mounted in a piece of equipment.
Apple proprietary. Combines Analog VGA out, stereo analog audio out, analog microphone in, S-video capture in, Apple desktop bus interface. Proprietary connector used on Apple Macintosh Centris computers, and the Apple AudioVision 14 Display. An attempt by Apple to deal with cable clutter, by combining five separate cables from computer to monitor.
For similar reasons, "wye"-cables (or "Y-splitters") should not be used to combine two line out signals into a single line in. Each line output would be driving the other line output as well as the intended input, again resulting in a much heavier load than designed for. This will result in signal loss and possibly even damage.
The magnetic immunity of star quad cable is a function of the accuracy of the star-quad geometry, the accuracy of the impedance balancing, and the common-mode rejection ratio of the balanced receiver. [2] Star-quad cable typically provides a 10 dB to 30 dB reduction [3] in magnetically-induced interference. [4] [5] [6]
There are three buttons on the adapter, which allow the player to adjust chat volume and mute the microphone. A version of the Chat Headset was later available with a standard 3.5 mm headphone jack instead of the adapter; on the updated version, the controls were on a small plastic pod inline with the cable. [6]
Typical live use of a multicore (thick cable on stage) Multicores usually create a link between the stage and sound desk, or live room and control room.When used in sound reinforcement, the multicore cable runs from the stage box or microphone splitter to the front-of-house sound desk, where it connects to a mixing console. [2]