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Salah Asuhan is generally considered one of the most important works in modern Indonesian Literature and is commonly used as reading material in Indonesian literature classes. [ 2 ] Bakri Siregar wrote positively of Salah Asuhan , considering the diction unparalleled in its contemporaries and the characters well fleshed-out.
In his first novel, Salah Asuhan (Wrong Upbringing), published in 1928, Muis depicted the problem of racial and social discrimination in the tragic story of Hanafi and Corrie. [6] The Western-oriented Hanafi and the feisty, liberal Corrie represent the conflict pre-independent Indonesia faced in choosing either to adhere to traditional values ...
Salah Asuhan (literally Wrong Upbringing, released internationally as The Misfit) is a 1972 film directed by Asrul Sani, produced by Andy Azhar, and starring Dicky Zulkarnaen, Ruth Pelupessy, and Rima Melati.
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Dutch scholar of Indonesian literature A. Teeuw notes that Layar Terkembang is one of the three most important Indonesian works written before World War II, together with Salah Asuhan and Belenggu. He writes that the novel shows the shift in focus from the conflict between individuals and traditional culture to a nationalist awakening in the ...
Hapuslah Air Matamu: M. Amin: Sharifah Aini, Latiff Ibrahim, Broery Marantika, Normadiah, Ahmad Nawab, Christine Hakim, AK Jailani, AR Ayappan, Aziz Jaafar, Deddy M. Borhan: Drama / Musical: Sabah Film Production Indonesia–Malaysia co-production Coloured film Entered into the 1976 Asia Pacific Film Festival. The film is now owned by SIAR ...
Uncommonly for Indonesian literature during this time period, Belenggu 's chapters were labelled with only a number – other works, such as Abdul Muis' 1928 novel Salah Asuhan (Wrong Upbringing), gave both a number and subtitle to the chapters. According to Taum, this change in style represents a stream of consciousness, as opposed to the ...
The film, which was based on an Indonesian legend and written by Y. B. Mangunwijaya, garnered him another Best Director nomination at the 1983 Indonesian Film Festival; [10] [11] he lost to Teguh Karya, director of Di Balik Kelambu. [12] Ami received another nomination the following year for Yang, but lost to Sjumandjaja of Budak Nafsu. [13]