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Salah Asuhan is generally considered one of the most important works in modern Indonesian Literature and is commonly used as reading material in Indonesian literature classes. [ 2 ] Bakri Siregar wrote positively of Salah Asuhan , considering the diction unparalleled in its contemporaries and the characters well fleshed-out.
In his first novel, Salah Asuhan (Wrong Upbringing), published in 1928, Muis depicted the problem of racial and social discrimination in the tragic story of Hanafi and Corrie. [6] The Western-oriented Hanafi and the feisty, liberal Corrie represent the conflict pre-independent Indonesia faced in choosing either to adhere to traditional values ...
Heider divides the main characters of Salah Asuhan into four quadrants, representing two binary opposites: Indonesian/Western, and Modern/Traditional. He classifies Hanafi and Corrie as falling into a modern/western type, with Liem best fitting the group (although poorly, owing to the emphasis on her Chineseness in the film).
The film, which was based on an Indonesian legend and written by Y. B. Mangunwijaya, garnered him another Best Director nomination at the 1983 Indonesian Film Festival; [10] [11] he lost to Teguh Karya, director of Di Balik Kelambu. [12] Ami received another nomination the following year for Yang, but lost to Sjumandjaja of Budak Nafsu. [13]
He had become a chairman of Dewan Perfilman Nasional (the National Film Board). After that, the situation of Indonesian cinema deteriorated. He then focused on writing screenplays for soap operas, adapted from Indonesian novels, such as Sitti Nurbaya, Salah Asuhan, and Sengsara Membawa Nikmat. [5] Sani died on 11 January 2004. [2]
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Nurbaya confiding to her mother after Samsu's move to Batavia; she feared he no longer loved her. In Padang in the early 20th century Dutch East Indies, Samsulbahri and Sitti Nurbaya–children of rich noblemen Sultan Mahmud Syah and Baginda Sulaiman–are teenage neighbours, classmates, and childhood friends.
Di Bawah Lindungan Ka'bah (Under the Protection of Ka'bah) is the 1938 debut novel of the Indonesian author Haji Abdul Malik Karim Amrullah (1908–1981). Written while the author worked in Medan as the editor of an Islamic weekly magazine, the novel follows the doomed romance of a young Minang couple from different social backgrounds.