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Veṇpā is a closely related family of very strict [6] Tamil verse forms. They differ chiefly in the number of standard lines that occur before the final short line. In kuṟaḷ-veṇpā (or simply "kural") a single 4-foot ("standard") line is followed by a final 3-foot ("short") line, resulting in a 7-foot couplet. [7]
Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6] Traditionally, that this form of poetry is often read to an audience in a special setting called mehfil . Although there are many professional shayars , who write shayari [ 7 ] for their livelihood, it is an immensely popular form of poetry for younger generation.
A cir is a single or a combination of more than one Tamil word. For example, the term Tirukkuṟaḷ is a cir formed by combining the two words tiru and kuṟaḷ. [86] The Kural text has a total of 9310 cirs made of 12,000 Tamil words, of which about 50 words are from Sanskrit and the remaining are Tamil original words. [89]
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The Tamil word asai roughly corresponds to syllable/a group of syllables. Asai is of two types - Nēr(lit. linear/straightforward) asai and Nirai(lit.waves) asai. •Sīr or cīr: Sīr is the metrical foot in Tamil poetry. •Thalai(lit. binding): The juxtaposition of metrical foot patterns.
These poems deal with the various aspects of the courtship between the hero and the heroine. The poems are set in various landscapes (Tinai - திணை). [2] Each poem is subdivided and formatted into pattu or tens, a style found in much of Tamil literature such as Tirukkural, Bhakti movement poetry and elsewhere.
Iraiyanar Akapporul is concerned with setting out the literary conventions that govern Tamil love poetry of the akam tradition. The conventions, as such, are taken from the poetics of the Sangam period. Thus a poem is a poetical snapshot of one instant in a relationship. This snapshot provides a glimpse into the lives of the couple which is in ...
Tamil poet Bharathidasan's image from a book cover. Tanittamiḻ Iyakkam (Tamil: தனித்தமிழ் இயக்கம், lit. 'Independent Tamil Movement') is a linguistic-purity movement in Tamil literature which attempts to avoid loanwords from Sanskrit/Prakrit, English, Urdu and other non-Dravidian languages.