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In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
In music theory, the term period refers to forms of repetition and contrast between adjacent small-scale formal structures such as phrases. In twentieth-century music scholarship, the term is usually used similarly to the definition in the Oxford Companion to Music : "a period consists of two phrases, antecedent and consequent, each of which ...
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
Musical era (or period) – distinct time frame in the history of music characterized by specific styles, practices, and conventions. Each period reflects the cultural, social, and political contexts of its time. The following is an overview of the stylistic movements within each period.
"Jism" also means semen or sperm, the meaning that predominates today, making "jism" a taboo word. Consistent with that etymology, the jazz composer Eubie Blake (1887-1983), when interviewed by a woman for Yale's Oral History of American Music project, refused to use the word "jazz" because he thought it was uncouth. [2]
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Meter animates time in regular pulse groupings, called measures or bars, which in Western classical, popular, and traditional music often group notes in sets of two (e.g., 2/4 time), three (e.g., 3/4 time, also known as Waltz time, or 3/8 time), or four (e.g., 4/4 time). Meters are made easier to hear because songs and pieces often (but not ...