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The works received positive press reviews and shops in European capitals began to cater for a new demand for Japanese decorative art. [7] The Khalili Collection has been used in research to study how the late 19th and early 20th century availability of Japanese art in Europe influenced European art, especially Vincent van Gogh and the ...
The Japanese era name (Japanese: 元号, Hepburn: gengō, "era name") or nengō (年号, year name), is the first of the two elements that identify years in the Japanese era calendar scheme. The second element is a number which indicates the year number within the era (with the first year being "gan ( 元 ) ", meaning "origin, basis"), followed ...
Japanese art was exhibited in Britain beginning in the early 1850s. [42] These exhibitions featured various Japanese objects, including maps, letters, textiles, and objects from everyday life. [ 43 ] These exhibitions served as a source of national pride for Britain and served to create a separate Japanese identity apart from the generalized ...
The art form dates back to the early 9th century, a period dominated by the Chola rulers, who encouraged art and literature. These paintings are known for their elegance, rich colors, and attention to detail. The themes for most of these paintings are Hindu Gods and Goddesses and scenes from Hindu mythology. In modern times, these paintings ...
This work has revolutionized the view of Japanese art history, and Edo period painting has become the most popular field of Japanese art, with Itō Jakuchū being the most popular. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the ...
Early Heian art: In reaction to the growing wealth and power of organized Buddhism in Nara, the priest Kūkai (best known by his posthumous title Kōbō Daishi, 774–835) journeyed to China to study Shingon, a form of Vajrayana Buddhism, which he introduced into Japan in 806.
At the age of five, he became interested in art and started to take lessons from his uncle. In 1850, when he was 11 years old, Yoshitoshi was apprenticed to Kuniyoshi, one of the great masters of the Japanese woodblock print. Kuniyoshi gave his apprentice the new artist's name "Yoshitoshi", denoting lineage in the Utagawa School.
The Japanese era corresponding to the years 645–649 was thus named Taika (大化), meaning "great change" in reference to the Reform. The revolt leading to the Taika Reform is commonly called the Isshi Incident , referring to the Chinese zodiac year in which the coup took place, 645.