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Animals are common subjects in African masks. Animal masks typically embody the spirit of animals, so that the mask-wearer becomes a medium to speak to animals themselves (e.g. to ask wild beasts to stay away from the village); in many cases, nevertheless, an animal is also (sometimes mainly) a symbol of specific virtues.
All Bobo masks serve as a means of contact between human beings and these deities; some represent the deities themselves while others, called bolo masks, depict animals and people. Bolo masks such as this one are usually danced for entertainment. The art of Burkina Faso is the product of a rich cultural history.
Founded to help preserve traditional cultural practices in the modern age, FESTIMA features masks and traditions from several West African countries. [2] It is currently held biennially in even-numbered years. [3] The most recent edition, the fifteenth, was held from February 29 to March 7, 2020, in Bankuy. [4] [5] [6]
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
Pictographs traced to be older than twenty-five thousand years old show humans wearing masks of animals but, like many other masks from this era, these masks were believed to be made of bio-gradable material and unable to stand the test of time. [11] Masks for current ceremonies include those of the Dogon Tribe. The Dogon Masks are made of wood.
Imagine life with no humans. One group of researchers has done exactly that -- and they even made a map to show how the world might look sans homo sapiens. SEE ALSO: California drought may ...
New research has found face masks – particularly the surgical kind – make people appear more attractive. The study presented female participants with 40 male faces of “low to high ...
The We, sometimes called the Krahn or Guere, are an indigenous African people that inhabit areas in eastern Liberia and western Côte d'Ivoire. [2] In this region, masks such as this one typically start as simple, unadorned objects carved by a male artist. The mask is then handed down through generations with each new wearer adding adornments.
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