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The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." [2] Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony."
According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". [2] The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis.
In 1944, a posthumous seventh volume appeared on chamber music. In 1989, a new version was published with some essays omitted and the remainder of Volumes I-VI consolidated into two volumes. Tovey's Essays were written as introductory notes for the concert-going public and are occasionally light-hearted in tone. Nevertheless, they analyse the ...
Some definitions refer to music as a score, or a composition: [18] [7] [19] music can be read as well as heard, and a piece of music written but never played is a piece of music notwithstanding. According to Edward E. Gordon the process of reading music , at least for trained musicians, involves a process, called "inner hearing" or "audiation ...
The generative theory of tonal music (GTTM) is a system of music analysis developed by music theorist Fred Lerdahl and linguist Ray Jackendoff. [1] First presented in their 1983 book of the same title, it constitutes a "formal description of the musical intuitions of a listener who is experienced in a musical idiom" [1] with the aim of illuminating the unique human capacity for musical ...
Monelle received a Master of Arts degree in modern history from the University of Oxford and Bachelor of Music degree from the University of London.A member of the Royal Musical Association at least since 1968, he completed his Ph.D. at the University of Edinburgh with a doctoral thesis on "Opera seria as drama: the musical dramas of Hasse and Metastasio", which he wrote under the supervision ...
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Linguist and semiotician Gunter Kress suggested that much of the vocabulary of generic analysis is ill-equipped to address non-written communication, arguing that “there are no genre terms for describing what [a] drawing is or does…” [11] Similarly, rhetoricians Miller and Shepherd have argued that traditional written genre theory does ...