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In lexical semantics, opposites are words lying in an inherently incompatible binary relationship. For example, something that is even entails that it is not odd. It is referred to as a 'binary' relationship because there are two members in a set of opposites. The relationship between opposites is known as opposition.
The unity of opposites is the philosophical idea that opposites are interconnected due to the way each is defined in relation to the other. Their interdependence unites the seemingly opposed terms. Their interdependence unites the seemingly opposed terms.
Own and belong are relational opposites i.e. "A owns B" is the same as "B belongs to A." Win and lose i.e. if someone wins, someone must lose. Fraction and whole i.e. if there is a fraction, there must be a whole. Above and below; Employer and employee; Parent and child; Teacher and student; Buy and sell; East and west; Predator and prey
Antithesis (pl.: antitheses; Greek for "setting opposite", from ἀντι-"against" and θέσις "placing") is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introduced together for contrasting effect.
A contronym is a word with two opposite meanings. For example, the word original can mean "authentic, traditional", or "novel, never done before". This feature is also called enantiosemy, [1] [2] enantionymy (enantio-means "opposite"), antilogy or autoantonymy. An enantiosemic term is by definition polysemic.
Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1] Some authors treat and use antiphrasis just as irony, euphemism or litotes. [2] When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings ...
The Italian pianoforte or fortepiano is an example from a Western language; the term is short for gravicembalo col piano e forte, as it were "harpsichord with a range of different volumes", implying that it is possible to play both soft and loud (as well as intermediate) notes, not that the sound produced is somehow simultaneously "soft and loud".
Los Pollitos Dicen ("Little Chickens") is a classic Spanish Nursery Rhyme De juego, and also falls under the Nana or Cancion de cuna category. Many spanish speaking countries lay claim to this song such as Ecuador and Spain, but its author is the Chilean musician and poet Ismael Parraguez. [2]