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The conservation and restoration of photographs is the study of the physical care and treatment of photographic materials. It covers both efforts undertaken by photograph conservators, librarians, archivists, and museum curators who manage photograph collections at a variety of cultural heritage institutions, as well as steps taken to preserve collections of personal and family photographs.
View of a frame-maker's workshop, oil on canvas, circa 1900 The elaborate decoration on this frame may be made by adhering molded plaster pieces to the wood base.. A picture frame is a container that borders the perimeter of a picture, and is used for the protection, display, and visual appreciation of objects and imagery such as photographs, canvas paintings, drawings and prints, posters ...
Photographic composition techniques are used to set up the elements of a picture. These are the techniques which resembles the way we humans normally see a view Some of the main techniques that are: Simplicity (photography) Symmetrical balance; Asymmetrical balance; Radial balance; Rule of thirds; Leading lines [1] Golden ratio; Framing ...
In archival or conservation picture framing, mats have several important functions. One of the most important functions is that it separates the glass from the art or document being framed; this is primarily important because any condensation that develops on the inside of the glass can be transferred to the piece if they are not separated, resulting in water damage, mold or mildew.
Exhibit design (or exhibition design [1]) is the process of developing an exhibit—from a concept through to a physical, three-dimensional exhibition. It is a continually evolving field, drawing on innovative, creative, and practical solutions to the challenge of developing communicative environments that 'tell a story' in a three-dimensional ...
Until the mid-1950s it was widely considered vulgar and pretentious to frame a photograph for a gallery exhibition. Prints were usually simply pasted onto blockboard or plywood, or given a white border in the darkroom and then pinned at the corners onto display boards. Prints were thus shown without any glass reflections obscuring them.
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