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In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
Introduction to Sousa's "Washington Post March", mm. 1–7 features octave doubling [1] and a homorhythmic texture.. In music, texture is how the tempo and the melodic and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece.
Simultaneously, she has employed the use of kiñit, tizita and bati, which are all qenets, or five note pentatonic musical scales specific to Ethiopian music. Some of Emahoy's compositions also possess chikchika rhythm, a 6/8 rhythm equally found often in Ethiopian heterophonic music. [27]
Bosnian root music is a polyphonic, or more commonly heterophonic music, which is usually sung by two singers. The first singer starts the song, and after some number of syllables the other joins in. Intervals used in this type of singing are minor and major second, which is characteristic for most of the Bosnian and Herzegovinian music, and some parts of Croatia.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Lining out first appears in 17th-century Britain when literacy rates were low and books were expensive. [1] [2] Precenting the line was characterised by a slow, drawn-out heterophonic and often profusely ornamented melody, while a clerk or precentor (song leader) chanted the text line by line before it was sung by the congregation.
The psalms are sung unaccompanied, in a style known as "lining out" or "precenting the line," in which the leader of the performance, or "precentor," sings a line, after which the rest of the congregation follows, with each member allowed to embellish the melody as they wish, in a free heterophonic fashion.
Cretan music has been largely heterophonic in texture or accompanied by drones and fifth chords on Cretan lute, classical guitar, mandolin, boulgari, and so forth. Drones are also played simultaneously on melody instruments such as the lyra and violin by bowing a second string (usually open) simultaneously as one plays the melody notes on ...