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Lenses provided with the camera included the Vega-7 (2/20mm), the Mir-11 (2 / 12.5mm), and the Tair-41 (2/50mm). The camera had a M32x0.5 thread for lens attachment. Shooting speeds could be varied between 12, 16, 24, 32, 48, and 64 frames per second. The camera had a frame-by-frame capability.
Reproductions of antique gilded picture frame mouldings. The Professional Picture Framers Association / PPFA is an international trade organization serving the art and framing community worldwide since 1971. Members include independent frame shop owners and staff, distributors and manufacturers of picture frame mouldings, supplies and equipment ...
In the picture framing industry, a mat (or matte, or mount in British English) is a thin, flat piece of paper-based material included within a picture frame, which serves as additional decoration and to perform several other, more practical functions, such as separating the art from the glass.
The series is most commonly known for the 1:2.8 16 mm fisheye lens. Example photo made using MC Zenitar 16mm f/2.8 fisheye lens MC Zenitar-M2,8/16 The lenses can be used with cameras using the M42 lens mount as well as with other mount systems using an adaptor ring.
The standard lens was the 80mm f/2.8 C or the 70mm f/2.8 C E or the 80mm f/1.9 C. [4] The M645 1000S was manufactured from 1976 to 1990. This camera added a 1/1000 second shutter speed to the M645, as well as a self-timer and a depth-of-field preview lever.
Paillard Bolex was slow to introduce a Super 8 camera although they quickly modified the 18-5 Auto 8 mm projector for Super 8 as the 18-5 L. At about this time(1966), the Bolex 16 Pro Camera was introduced to compete with the Arriflex 16 BL camera, as a technically advanced professional camera more suited for television use than the H16.
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