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The term can also be used for kinds of easy listening, [6] lounge, piano solo, jazz or middle of the road music, or what are known as "beautiful music" radio stations.. This style of music is sometimes used to comedic effect in mass media such as film, where intense or dramatic scenes may be interrupted or interspersed with such anodyne music while characters use an elevator.
List of instrumental compositions composed or arranged and recorded by Tale Ognenovski; List of instrumental number ones on the UK singles chart; Livery Stable Blues; The Lonely Shepherd; Long Gone (instrumental) Longplayer; Lost Boy Blues; Love Scene (Version 4) Love Scene (Version 6) Lunar (song)
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Example from Free Music Archive, Steve Combs & Delta Is - "Theme Q", bass, drum, guitar, keyboard, 4 min 53 s. In commercial popular music, instrumental tracks are sometimes renderings, remixes of a corresponding release that features vocals, but they may also be compositions originally conceived without vocals. One example of a genre in which ...
Before analog sound recording was invented, most music was as a live performance. Throughout the medieval, Renaissance, Baroque, Classical, and through much of the Romantic music era, the main way that songs and instrumental pieces were recorded was through music notation. While notation indicates the pitches of the melody and their rhythm many ...
CD Baby was founded in 1998 by Derek Sivers during the dot-com craze. [5]In 2000, it moved to Portland, Oregon, where they remain headquartered today. In 2004, CD Baby began offering a digital music distribution and became an early partner of iTunes.
The Office (UK) ("Handbags and Gladrags") arranged by Big George; The Office (US) – Jay Ferguson (performed by The Scrantones) Oh Baby – Performed by Jimmy Beavers; Oh Doctor Beeching! – based on "Oh! Mr Porter" by Thomas and George Le Brunn, performed by Su Pollard; OK K.O.! Let's Be Heroes ("Let's Watch the Show") – Jake Kaufman
"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which [ sic ] have distinguished R.E.M.'s work ever since."