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The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's "Blues for Alice".
Unlike in the cases of Davis and Adderley, "Nardis" was an important part of Bill Evans's repertoire, as it appears on many of his albums: Trio at Birdland (1960), Explorations (1961), The Solo Sessions, Vol. 1 (1963), Trio Live (1964), Bill Evans at the Montreux Jazz Festival (1968), Quiet Now (1969), You're Gonna Hear from Me (1969), "Live at the Festival" (1972), The Paris Concert: Edition ...
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
Cross tuning or cross-tuning (aka scordatura) is an alternative tuning used for the open strings of a string instrument.The term refers to the practice of retuning the strings; it also refers to the various tunings commonly used, or in some contexts it may refer to the AEAE fiddle tuning.
The chord fingerings for the right-handed tunings must be changed for left-handed tunings. However, the left-handed involute of a regular tuning is easily recognized: it is another regular tuning. Thus the chords for the involuted regular-tuning may be used for the left-handed involute of a regular tuning.
"Bloodhound" is a song, initially written and performed by soul singer Larry Bright (credited under his birth name Julian Bright) in 1961. Initially performed as a rhythm and blues song, it quickly garnered a reputation as a garage rock song following a cover by British rock band Downliners Sect .
The chords and patterns in "Giant Steps" reflect those found in Coltrane's compositions "Central Park West" and "Countdown", and his version of the Gershwins' song, "But Not For Me." [ 10 ] In a 2018 interview, Quincy Jones said that the work was based on an example in Nicolas Slonimsky 's Thesaurus of Scales and Melodic Patterns .