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"A journey of a thousand miles begins with a single step" is a common saying that originated from a Chinese proverb. The quotation is from Chapter 64 of the Tao Te Ching ascribed to Laozi, [1] although it is also erroneously ascribed to his contemporary Confucius. [2]
The most famous art depiction of the Eight Immortals from this period is a mural of them in the Eternal Joy Temple (Yongle Gong) at Ruicheng. The Eight Immortals are considered to be signs of prosperity and longevity, so they are popular themes in ancient and medieval art. They were frequent adornments on celadon vases. They were also common in ...
Feng shui (/ ˈ f ʌ ŋ ˌ ʃ uː i / [2] or / ˌ f ʌ ŋ ˈ ʃ w eɪ / [3]), sometimes called Chinese geomancy, is a traditional form of geomancy that originated in Ancient China and claims to use energy forces to harmonize individuals with their surrounding environment. The term feng shui means, literally, "wind-water" (i.e
Feng shui, the ancient Chinese art that promotes balance, peace, and prosperity through a harmonious relationship between people and their environments, has been used for centuries when designing ...
Along the River During the Qingming Festival (simplified Chinese: 清明上河图; traditional Chinese: 清明上河圖; pinyin: Qīngmíng Shànghé Tú) is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied or recreated many times in the following centuries.
The Xingming guizhi (性命圭旨, Principles of Inner Nature and Vital Force) is a comprehensive Ming dynasty (1368-1644) text on neidan ("internal alchemy") self-cultivation techniques, which syncretistically quotes sources from the Three teachings of Daoism, Confucianism, and Buddhism (particularly the Yogachara school), and is richly illustrated with over fifty illustrations that later ...
The Dragon is frequently referred to in the media, feng shui, other cultures, and in various venues as the Green Dragon and the Avalon Dragon. [2] His cardinal direction's epithet is "Bluegreen Dragon of the East" ( 東方青龍 Dōngfāng Qīnglóng or 東方蒼龍 Dōngfāng Cānglóng ).
The gates and doors of Chinese houses have long received special ritual attention. [1] Sacrifices to a door spirit are recorded as early as the Book of Rites. [1] [2] By the Han, this spirit had become the two gods Shenshu and Yulü, whose names or images were painted into peachwood and attached to doors. [1]
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