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Three rockers on Chelsea Bridge Two mods on a scooter. Mods and rockers were two conflicting British youth subcultures of the late 1950s to mid 1960s. Media coverage of the two groups fighting in 1964 sparked a moral panic about British youth, and they became widely perceived as violent, unruly troublemakers.
Mods and Rockers is a 1964 British short film directed by Kenneth Hume and produced by Anglo-Amalgamated. [1] It features the Western Theatre Ballet company based on their ballets "Mods and Rockers" and "Non-Stop". They also perform a dance to Beatles compositions.
The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [5] in which he examined media coverage of the mod and rocker riots in the 1960s. [6] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
The first Motoblot rally took place in July 2014, and was renamed from the previous "Mods vs Rockers Chicago" rally. [4] In addition to a motorcycle and hot rod show, the rally features live music, the Miss Motoblot pin-up contest, [5] and sponsorship by Triumph Motorcycles, Progressive Insurance, and All Rise Brewing.
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The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, [141] which examined media coverage of the mod and rocker riots in the 1960s. [142] By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia.
Mods were obsessed with new fashions such as slim-cut suits; and music styles such as modern jazz, rhythm and blues, soul, ska, and some beat music. Many of them rode scooters. The mod and rude boy cultures both influenced the skinhead subculture of the late 1960s. The skinheads were a harder, more working class version of mods who wore basic ...