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Propaganda activities in Japan have been discussed as far back as the Russo-Japanese War of the first decade of the 20th century. [2] Propaganda activities peaked during the period of the Second Sino-Japanese War and World War II. [3] [4] Scholar Koyama Eizo has been credited with developing much of the Japanese propaganda framework during that ...
Japanese propaganda poster featuring Japanese agrarian immigrants in Manchukuo, designed for a Westerner audience. The Allies were also attacked as weak and effete, unable to sustain a long war, a view at first supported by a string of victories. [176] The lack of a warrior tradition such as bushido reinforced this belief. [177]
Kuniyoshi was born on September 1, 1889, in Okayama, Japan. [4] He immigrated to the United States in 1906 at 17, choosing not to attend military school in Japan. [5] Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and ...
The Yūshūkan (遊就館, lit. ' Place to commune with noble souls ') is a Japanese military and war museum located within Yasukuni Shrine in Chiyoda, Tokyo.As a museum maintained by the shrine, which is dedicated to the souls of soldiers who died fighting on behalf of the Emperor of Japan including convicted war criminals, [1] the museum contains various artifacts and documents concerning ...
Across the Equator (Japanese: 赤道越えて, Hepburn: Sekidō Koete) is a 1936 Japanese propaganda documentary film directed by Eiji Tsuburaya in his directorial debut. Produced and distributed by Nikkatsu , [2] it was shot by Tsuburaya from February to August 1935, whom traveled across the Pacific on the cruiser Asama .
Although Japan's light industry had secured a share of the world market, Japan returned to debtor-nation status soon after the end of the war. The ease of Japan's victory, the negative impact of the Shōwa recession in 1926, and internal political instabilities helped contribute to the rise of Japanese militarism in the late 1920s to 1930s.
Among the factors that led to the emergence of propaganda kimono, three stand out: the introduction of modern textile manufacturing and printing equipment into Japan in the late 19th century, [5] the social and political impetus for Japan to modernize, [6] and, following the Japanese invasion of Manchuria in 1931, political desire to rally support for colonial expansion. [3]
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