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Sahir's life has been chronicled by Sabir Dutt [26] and by Chander Verma and Dr. Salman Abid in "Main Sahir Hoon" [10] Sahir Ludhianvi: the People's Poet by Akshay Manwani [27] The book is the product of interviews and writings about Sahir by his friends such as Yash Chopra, Dev Anand, Javed Akhtar, Khayyam, Sudha Malhotra, Ravi Chopra and Ravi ...
] Sahir's work in the film's music was particularly praised; As stated in The Hindu, "While for Pyaasa, a film considered the brainchild of Guru Dutt, the soul behind the film was its lyricist Sahir Ludhianvi". [20] Pyaasa marked the last collaboration of the long-lasting team of composer Burman and lyricist Ludhianvi. [21]
Although the love story of Amrita and Sahir Ludhianvi was famous at that time. Both were open about their love towards each other. Sahir was a famous poet and lyricist in Hindi Cinema. He never lived with her. He was too busy in his professional and personal life. A new women singer Sudha Malhotra came into Sahir's life and Amrita was in disunion.
Amrita Pritam ([əm.mɾɪt̪ɑː pɾiːt̪əm] ⓘ; 31 August 1919 – 31 October 2005) was an Indian novelist, essayist and poet, who wrote in Punjabi and Hindi. [1] A prominent figure in Punjabi literature, she is the recipient of the 1956 Sahitya Akademi Award.
A. K. Ramanujan (1929–1993), poet and scholar of Indian literature who wrote in both English and Kannada Abhay K (born 1980), poet, diplomat, writer, author and artist Agha Shahid Ali (1949–2001), Kashmiri-American poet writing in English
Sahir Hoshiarpuri (1913–1994) Mehr Lal Soni Zia Fatehabadi (1913–1986) Rishi Patialvi (Bam Dev Sharma) Rishi (1917–1999) Jagan Nath Azad (1918–2004) Bhupendra Nath Kaushik (1924 – 2007) Krishna Kumar Sharma (1924–2001) Kanwal Ziai Hardayal Singh Datta (1927–2012) Naresh Kumar Shad (1927–1969) Harbans Bhalla (1930–1993 ...
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The soundtrack of Neel Kamal were composed by Ravi Shankar Sharma and lyrics were provided by Sahir Ludhianvi. The soundtrack is widely notable for the song, "Baabul Ki Duaayein Leti Jaa" sung by Mohammed Rafi, which became popular as a Hindi wedding song during the actual bidaai ritual (the departure of the bride from her parental house). [3]