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Vernacular architecture (also folk architecture [1]) is building done outside any academic tradition, and without professional guidance. It is not a particular architectural movement or style, but rather a broad category, encompassing a wide range and variety of building types, with differing methods of construction, from around the world, both ...
Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture is a book based on the NYC MoMA exhibition of the same name by Bernard Rudofsky originally published in 1964. It provides a demonstration of the artistic, functional, and cultural richness of vernacular architecture.
Tropical Modernism, or Tropical Modern is a style of architecture that merges modernist architecture principles with tropical vernacular traditions, emerging in the mid-20th century. This movement responded to the unique climatic and cultural conditions of tropical regions, primarily in Asia, Africa, Latin America, and the Pacific Islands. [ 1 ]
Morphology in architecture is the study of the evolution of form within the built environment. Often used in reference to a particular vernacular language of building, this concept describes changes in the formal syntax of buildings and cities as their relationship to people evolves and changes.
The Encyclopedia of Vernacular Architecture of the World is a three-volume encyclopedia detailing the traditional architecture of the world, by cultural region. Published in 1997, it was edited by Paul Oliver of the Oxford Institute for Sustainable Development and Oxford Brookes University .
He is best remembered today for a number of urbane books that still provide relevant design insight that is concealed in entertaining, subversive sarcasm. His interests ranged from vernacular architecture to Japanese toilets and sandal design. Taken together, his written work constitutes a sustained argument for humane and sensible design.
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The Nakagin Capsule Tower in Tokyo displayed small apartment units (capsules) attached to a central building core.. Metabolism (Japanese: メタボリズム, Hepburn: metaborizumu, also shinchintaisha (新陳代謝)) was a post-war Japanese biomimetic architectural movement that fused ideas about architectural megastructures with those of organic biological growth.