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The black-and-white Đám cưới chuột. According to the villagers, the making of tranh Đông Hồ painting was dated back to the 11th century during the reign of the Lý dynasty, while researchers propose that craftsmen began to print pictures in Đông Hồ village during the rule of Lê Kính Tông (1600–1619) of the Lê dynasty. [1]
It is a famous example of "propaganda art" from the Vietnam War, [3] that uses a color photograph of the My Lai Massacre taken by U.S. combat photographer Ronald L. Haeberle on March 16, 1968. It shows about a dozen dead and partly naked South Vietnamese women and babies in contorted positions stacked together on a dirt road, killed by U.S. forces.
The khăn rằn (From Vietnamese: khăn, 'towel, scarf', and rằn, 'striped'; Chữ Nôm: 䘜吝) is a traditional checkered black and white scarf which has been adapted from the Cambodian krama. [1] It is a traditional scarf worn in the region of Mekong Delta in Vietnam. [2]
The origin of Kim Hoàng painting was dated back to the 18th century during the reign of the Lê dynasty.The pictures were made in the Kim Hoàng village, now in Hoài Đức (), [3] which was one of the few place where folk paintings were made in Vietnam during the dynastic time, along with Hàng Trống, Đông Hồ and Sình village. [4]
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Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. See also Category:Color photographs
May officially marks the start of Asian American, Native Hawaiian & Pacific Islander (AANHPI) Heritage Month. Whether you plan to visit a museum, brush up on your historical knowledge, or attend a ...
When the Tenth Month Comes (Vietnamese: Bao giờ cho đến tháng Mười) is the first Vietnamese film to be shown in the West after the Vietnam war. [1] The film primarily centers around the misery of a young woman whose husband has died in the war. Despite the peaceful rural setting, the film is shot in black and white illustrating the ...