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Statue of Patañjali, its traditional snake form indicating kundalini or an incarnation of Shesha. The Yoga Sutras of Patañjali (IAST: Patañjali yoga-sūtras) is a collection of Sanskrit sutras on the theory and practice of yoga – 195 sutras (according to Vyāsa and Krishnamacharya) and 196 sutras (according to others, including BKS Iyengar).
Yoga Sutras of Patanjali. Delhi, India: Motilal Banarsidass. ISBN 978-8120820692. Bhikshu, Vijñāna (1894). An English Translation with Sanskrit Text of the Yogasara-Sangraha. Translated by Jha, Ganganatha. Bombay Theosophical Publishers. p. 59.
Samyama is defined in the Yoga Sutras of Patanjali verses 3.1 through 3.6 as follows where the Sanskrit in Devanagari and IAST were sourced from Little [7] and the English from Iyengar (1993: pp. 178–183): [2]
Patanjali (Sanskrit: पतञ्जलि, IAST: Patañjali, Sanskrit pronunciation: [pɐtɐɲdʑɐli]; also called Gonardiya or Gonikaputra) [a] was an author, mystic and philosopher in ancient India. He is believed to be an author and compiler of a number of Sanskrit works. [3] The greatest of these are the Yoga Sutras, a classical yoga text.
Pratyahara [1] [2] (Sanskrit: प्रत्याहार, romanized: Pratyāhāra) or the 'gathering towards' is the fifth element among the Eight stages of Patanjali's Ashtanga Yoga, [3] as mentioned in his classical work, Yoga Sutras of Patanjali composed in the 2nd century BCE. [4]
Haribhadra uses the Yoga Sutras of Patanjali to develop his system of Jain meditation and Yoga. He compares Patanjali's system of eightfold yoga with three other systems, a Buddhist Yoga attributed to a certain Bhadanta Bhāskara, Vedanta Yoga system attributed to Bandhu Bhagavaddatta, and Haribhadra's own Jain Yoga system. [4] The eightfold ...
His book, Yoga Philosophy of Patanjali with Bhasvati, is considered to be one of the most authentic and authoritative classical Sanskrit commentaries on the Yoga Sutras. [4] [5] [6] Hariharananda is also considered by some as one of the most important thinkers of early twentieth-century Bengal. [7]
The 34 Yoga Sutras of Patanjali of the fourth chapter deal with impressions left by our endless cycles of birth and the rationale behind the necessity of erasing such impressions. It portrays the yogi , who has attained kaivalya , as an entity who has gained independence from all bondages and achieved the absolute true consciousness or ...
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