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A corselet was released by Warner's in 1952, [3] named after The Merry Widow, a 1905 operetta which has been adapted several times into feature-length films. [4] "Merry widow" remains a common generic term for a corsetry-type garment in the United States, or a "basque" in the UK. It is usually strapless, and stopping on the hips, rather than ...
In the 1980s, there was a further revival of interest in the dirndl, as traditional clothing was adopted by the environmental and anti-nuclear movements. [45] The rural connotations of the clothing and the fact that it is produced from natural, rather than synthetic materials, go well with a desire to return to a "world that is intact". [34 ...
To change one's clothing too early was considered disrespectful to the deceased, and, if the widow was still young and attractive, suggestive of potential sexual promiscuity. Those subject to the rules were slowly allowed to re-introduce conventional clothing at specific times; such stages were known by such terms as "full mourning", "half ...
The tradition of widow's veiling has its roots in the attire of a Christian nun, which symbolized modesty and chastity, and the mourning veil became a way to demonstrate sincerity and piety. [131] The mourning veil was commonly seen as a means of shielding the mourner and hiding her grief, [ 130 ] [ 131 ] and, on the contrary, seen by some ...
A Victorian woman wearing a widow's cap. Illustration from The Strand Magazine (1890) A Victorian mourning cap was identified by its black colour or tone (depending on the level of mourning). The more recent the loss the simpler the design. The shape of the cap depended on the age of the widow but the most common was peaked at the front. [3]
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