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The Quarrymen – "That'll Be the Day"/"In Spite of All the Danger" (UK 78–rpm, acetate in plain sleeve, 1958). Only one copy made. The one existing copy is currently owned by Paul McCartney. Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch ...
Do Not Sell At Any Price was widely and favorably reviewed. [4] [5] [6] Randall Roberts described the book in the Los Angeles Times as a "thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records."
By the 1920s, improvements in the manufacturing processes, both in players and recordings, allowed prices for the machines to drop. While entertainment options in a middle to upper-class home in the 1890s would likely consist of a piano, smaller instruments, and a library of sheet music, by the 1910s and later these options expanded to include ...
By 1925, 78 rpm was becoming standardized across the industry. However, the exact speed differed between places with alternating current electricity supply at 60 hertz (cycles per second, Hz) and those at 50 Hz. Where the mains supply was 60 Hz, the actual speed was 78.26 rpm: [24] that of a 60 Hz stroboscope illuminating 92-bar calibration ...
In 2006, the Belfast singer Duke Special released a number of ten inch EPs in 78 rpm. [18] A series of 78 rpm microgroove records was issued by the "Audiophile" label during the early LP era. They were supposed to provide higher quality sound than 33 rpm by virtue of their faster rotation speed combined while also providing significantly longer ...
Oct. 13—Richard Hinds settles the tonearm gently into the grooves of the 78 record, and the music of Jelly Roll Morton and the Red Hot Peppers rises from the rotating disc and buzzes the room.
The Rigler and Deutsch Index of Recorded Sound, also known as the Rigler Deutsch Index, is a union catalog collocation of the U.S. holdings of 78 rpm records in the collections of the Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division; the Rodgers and Hammerstein Archives of Recorded Sound at the New York Public Library; Belfer Audio Laboratory and Archive at ...
However, some very early (c. 1928–1931) radio programs were on sets of 12-inch or even 10-inch (25 cm) 78 rpm discs, and some later (circa 1960–1990) syndicated radio programs were distributed on 12-inch 33 + 1 ⁄ 3 rpm microgroove vinyl discs visually indistinguishable from ordinary records except by their label information.
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