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Because it ran 7m 57s, longer than both sides of a standard 78 rpm 10-inch record, it was released on Columbia's Masterwork label (the classical division) as two sides of a 12-inch record. [ 47 ] In the 78 era, classical-music and spoken-word items generally were released on the longer 12-inch 78s, about 4–5 minutes per side.
The Quarrymen – "That'll Be the Day"/"In Spite of All the Danger" (UK 78–rpm, acetate in plain sleeve, 1958). Only one copy made. The one existing copy is currently owned by Paul McCartney. Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch ...
Carlos Martín Ballester (born 1974): 75,000 78 rpm records (carlosmb archive) plus 5,000 78 rpms records and 200 cylinders (private collection). [27] It is the largest collection of 78 rpm records pressed in Spain. Part of the archive is on sale and new items are added regularly. [28] Elton John (born 1947): 70,000 items. [29]
A series of 78 rpm microgroove records was issued by the "Audiophile" label during the early LP era. They were supposed to provide higher quality sound than 33 rpm by virtue of their faster rotation speed combined while also providing significantly longer playing time than standard groove 78 rpm records.
Oct. 13—Richard Hinds settles the tonearm gently into the grooves of the 78 record, and the music of Jelly Roll Morton and the Red Hot Peppers rises from the rotating disc and buzzes the room.
Do Not Sell At Any Price was widely and favorably reviewed. [4] [5] [6] Randall Roberts described the book in the Los Angeles Times as a "thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records."
The Great 78 Project is an initiative developed by the Internet Archive which aims to digitize 250,000 78 rpm singles (500,000 songs) from the period between 1880 and 1960, donated by various collectors and institutions.
Their small grooves were to be played with a needle or stylus, giving about twice the playing time of the standard 10-inch 78 rpm. Most offered more than one selection per side. These records bore catalog numbers prefixed with an "H," probably because vertical-cut discs were called "Hill and Dale" (Marco, 302-303)
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