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The Quarrymen – "That'll Be the Day"/"In Spite of All the Danger" (UK 78–rpm, acetate in plain sleeve, 1958). Only one copy made. The one existing copy is currently owned by Paul McCartney. Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch ...
Carlos Martín Ballester (born 1974): 75,000 78 rpm records (carlosmb archive) plus 5,000 78 rpms records and 200 cylinders (private collection). [27] It is the largest collection of 78 rpm records pressed in Spain. Part of the archive is on sale and new items are added regularly. [28] Elton John (born 1947): 70,000 items. [29]
Do Not Sell At Any Price was widely and favorably reviewed. [4] [5] [6] Randall Roberts described the book in the Los Angeles Times as a "thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records."
With only a few thousand copies ever made, the 12-count CD set has since become a collector’s dream. Brand new sets can easily sell for over $200 , with autographed sets commanding much more. 2.
The Joe Terino Collection, a collection of 70,000 78 rpm singles stored in a warehouse for 40 years. The Barrie H. Thorpe Collection, which had been deposited at the Batavia Public Library in Batavia, Illinois, in 2007 by Barrie H. Thorpe (1925–2012). It contains 48,000 singles. The Daniel McNeil Collection, with 22,359 singles.
In the UK, labels considered collectible, such as Atlantic Records, Sun Records, Motown, and Parlophone , turned into mainstream major record labels later on in the 1960s. In the US, New York's Times Square store is widely acknowledged for feeding the doo-wop revival of the early sixties, attention focusing on them from 1959.
Oct. 13—Richard Hinds settles the tonearm gently into the grooves of the 78 record, and the music of Jelly Roll Morton and the Red Hot Peppers rises from the rotating disc and buzzes the room.
Over his lifetime, Bussard amassed a collection of between 15,000 and 25,000 records, primarily of American folk, gospel, jazz, and blues from the 1920s and 1930s. [1] From 1956 until 1970, Bussard ran the last 78 rpm record label, Fonotone, which was dedicated to the release of new recordings of old-time music.
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