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The Mahavidya (Sanskrit: महाविद्या, IAST: Mahāvidyā, lit. Great Wisdoms ) are a group of ten Hindu [ 1 ] Tantric goddesses . [ 2 ] The ten Mahavidyas are usually named in the following sequence: Kali , Tara , Tripura Sundari , Bhuvaneshvari , Bhairavi , Chhinnamasta , Dhumavati , Bagalamukhi , Matangi and Kamalatmika . [ 3 ]
The three also lack the more fierce warrior aspects of Dhumavati as well as her positive aspects in the context of the Mahavidyas. In scholar David Kinsley's opinion, though the three may be Dhumavati's antecedents, they are not "the same" as Dhumavati. [3] According to Kinsley, the concept of ten Mahavidyas may not be earlier than the 12th ...
An 18th-century painting from Rajasthan depicts Chhinnamasta as black, as described in the Pranatoshini Tantra legend. She is seated on a copulating couple. Chhinnamasta is often named as the fifth [24] [25] [26] or sixth [1] [27] [20] Mahavidya (Mahavidyas are a group of ten fearsome goddesses from the Hindu esoteric tradition of Tantra), with hymns identifying her as a fierce aspect of Devi ...
Besides the Mahavidya Bagalamukhi, Matangi is the other Mahavidya, whose worship is primarily prescribed to acquire supernatural powers. A hymn in the Maha-Bhagavata Purana asks her grace to control one's foes, while the Tantrasara says that recitation of her mantra, meditation on her form and her ritual worship gives one to the power to ...
In her Mahavidya context, ... Vision of the Divine Feminine in the Hindu Religious Traditions (ISBN 81-208-0379-5) by David Kinsley This page was last ...
[2] The first major appearance of Kali in the Sanskrit literature was in the sixth-century CE text Devi Mahatmya. [1] Kali appears in numerous stories, with her most famous being when she sprang from the goddess Durga's fury to defeat the demon Raktabija. She is stated to destroy evil and defend the innocent.
She has 108 different names (some others also call her by 1,108 names [2]). Bagalamukhi is commonly known as Pitambari in North India , the goddess associated with yellow color or golden color. She sits on a golden throne that has pillars decorated with various jewels, and has three eyes, symbolising the fact that she can impart ultimate ...
Kinsley, David (1977). The Sword and the Flute: Kālī and Kṛṣṇa, Dark Visions of the Terrible and the Sublime in Hindu Mythology. University of California Press. ISBN 0-520-03510-0. Kinsley, David (1987). Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions. Motilal Banarsidass. ISBN 81-208-0379-5.