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Coleridge, 1814. Kubla Khan was likely written in October 1797, though the precise date and circumstances of the first composition of Kubla Khan are slightly ambiguous, due to limited direct evidence. Coleridge usually dated his poems, but did not date Kubla Khan, [4] and did not mention the poem directly in letters to his friends.
The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
The "person on business from Porlock" was an unwelcome visitor to Samuel Taylor Coleridge during his composition of the poem "Kubla Khan" in 1797. Coleridge claimed to have perceived the entire course of the poem in a dream (possibly an opium-induced haze), but was interrupted by this visitor who came "on business from Porlock" while in the ...
Kubla Khan: Or, A vision in a dream. A Fragment. "In Xanadu did Kubla Khan" 1798 1816 Recantation: Illustrated in the Story of the Mad Ox "An Ox, long fed with musty hay," 1798 1798, July 30 Hexameters. ('William my teacher,' &c.) "William, my teacher, my friend! dear William and dear Dorothea!" 1799 1851
The Crewe manuscript is the only manuscript copy of Samuel Taylor Coleridge's poem Kubla Khan. [1] It is a holograph manuscript (i.e., written in Coleridge's own hand), from some time between the poem's composition in 1797 and its publication in 1816.
Samuel Taylor Coleridge (/ ˈ k oʊ l ə r ɪ dʒ / KOH-lə-rij; [1] 21 October 1772 – 25 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth.
Thematically the poem is one of Coleridge's most cohesive constructs, with the narrative plot more explicit than previous works such as the fragmented Kubla Khan which tend to transcend traditional composure. Indeed, in many respects the consistency of the poem – most apparent from the structural formality and rhythmic rigidity (four ...
When Coleridge's Poems on Various Subjects was reviewed, few reviewers paid attention to Lines Written at Shurton Bars. [15] John Aikin, in the June 1796 Monthly Review, states, "The most of [the 'poetical Epistles'], addressed to his 'Sara', is rather an ode, filled with picturesque imagery: of which the follow stanzas [lines 36–60] compose a very striking sea-piece". [16]