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Free jazz musicians make use of free improvisation to alter, extend, or break down jazz convention, often by discarding fixed chord changes, tempos, melodies, or phrases. Ornette Coleman was an early and noted advocate of this style. 1950s -> Gypsy jazz: A style of jazz music often said to have been started by guitarist Jean "Django" Reinhardt ...
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Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press.
Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation. There is some debate on what can be considered "new-age music"; for example several musicians in Celtic music or Smooth jazz have expressed annoyance at being labeled "new-age musicians".
Through the use of "spontaneous improvisation theoretically free of the diatonic/chromatic and metric systems governing harmony, melody, and rhythm of both pre-free jazz and other Western music", [21] European free jazz musicians created interpretations based on their experience in western Europe. [22]
The music is a continuous free improvisation with only a few brief pre-determined sections, recorded in one take with no overdubbing or editing. [7] The album features what Coleman called a “double quartet,” i.e., two self-contained jazz quartets: each with a reed instrument, trumpet, bass, and drums. [8]
The following artists and bands have performed smooth jazz. Saxophonists. Mindi Abair; Gerald Albright ... 24k Music Network syndicated television and radio show ...
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